Julia lezhneva biography
In she received an honours degree for her vocal studies and a diploma for piano. Sections of this page. Can't read the text above?
Lezhneva performed a recital with pianist Mikhail Antonenko at the Quincena Festival gaining standing ovations on August 6, and continued performing recitals during that season at the venues, including St. The triumphal performance was followed by exceptional recital at the Bolshoi THeatre, opening the new 'Baroque Festival' at the theatre - Lezhenva received standing ovations and four encores. Lezhneva also reprised J.
The album is dedicated to the composer's early works written during his trip to Italy between and is due for release on October 9, by Decca. Lezhneva's repertoire ranges from Baroque to bel canto to Romantic.
If this programme of Handel arias and sacred songs is any judge, Lezhneva certainly has a phenomenal gift, a voice that ranges evenly over the most intricate coloratura, with never a blemish or sign of aspirating. It is a serene, sleek voice, beatific in timbre, with a bell-like resonance that carries well.
Technically it is flawless.
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Лежнева, Юлия Михайловна
Please help to improve this article by introducing more precise citations. July Learn how and when to remove this template message. A reason to sing Alleluia!
Retrieved 15 May At first we thought of recording an all-Mozart album but, having further explored sacred motets with Giovanni Antonini, I completely julia lezhneva biography in love with the idea of taking one motet from four of the great composers across the 18th century and showing the stylistic development of this genre: Her parents, Alfiya and Mikhail, were both eminent geophysicists? But I had a natural feel for writing and an interest in poetry and literature. We used to have a lot of those old things like huge CDs which you put on the old equipment.100 Singers - JULIA LEZHNEVA
I listened to a lot of them when I was a child and I was very sensitive to music. I was always crushing my fingers or banging my head, and my mother realised that I cannot be a pianist because it would be too stressful for both of us. By then I had discovered I had a voice and felt I should work on it.
After finishing her school studies at 14, she entered college and continued learning piano while starting to work at singing too. Her voice had matured unusually early, and as early as age 11 she had a sense that an operatic future lay ahead of her.
One of her college music teachers recommended that she should audition for a specialist vocal professor, and despite not yet having reached the official minimum age of 15, she was enrolled on a full-time singing course. She instantly began to blossom, and caught the julia lezhneva biography of some influential musical opinion-formers.
The following year she entered the competition again and won it, which earned her an invitation to appear at the Rossini festival in Pesaro, Italy. What I remember is that I knew nothing about how to do it!