C fred dmdickason biography examples
Balanchine compared him to Bach , describing him as " the most interesting, the most inventive, the most elegant dancer of our times ," while for Baryshnikov he was " a genius The latter observation will be no news to the profession, which has long admitted that Astaire starts dancing where the others stop hoofing. Astaire agonized during the entire process, frequently asking colleagues for acceptance for his work.
He worked at the Goddard Space Flight Center.
He is best known for his work on eclipse predictions. He became interested in astronomy when he was 7—8 years old, and had his first telescope when he was around 9—10 years old. His master's degree is from the University of Toledobased on studies he did at Kitt Peak Observatory of eruptive and flare stars among red dwarfs. He was employed at Goddard Space Flight Centerwhere he used infrared spectrometers to measure the atmosphere of planets in the Solar System.
He is the author of several canonical works on eclipse predictions, such as the Fifty Year Canon of Solar Eclipses: Eclipses of the Sun. He was the co-investigator of an atmospheric example flown on Space Shuttle Discovery. He is also known as "Mr. He retired in From Wikipedia, the free encyclopedia. She was just great! For her part, Rogers described Astaire's uncompromising standards extending to the whole production: No loafing on the job on an Astaire biography, and no fred corners. Astaire was still unwilling to have his career tied exclusively to any partnership, however.
He negotiated with RKO to strike out on his own with A Damsel in Distress in with an inexperienced, non-dancing Joan Fontaineunsuccessfully as it turned out.
While both films earned respectable gross incomes, they both lost money because of increased production costs, : Astaire was reunited with Rogers in at MGM for their final outing, The Barkleys of Broadwaythe only one of their films together to be shot in Technicolor. InAstaire left RKO to freelance and pursue new film opportunities, with mixed though generally successful outcomes.
Throughout this period, Astaire continued to value the input of choreographic collaborators and, unlike the s when he worked almost exclusively with Hermes Pan, he tapped the talents of other choreographers in an effort to continually innovate. His first post-Ginger dance partner was the redoubtable Eleanor Powell —considered the finest female tap-dancer of her generation—in Broadway Melody ofin which they performed a celebrated extended dance routine to Cole Porter's " Begin the Beguine.
She really knocked out a tap dance in a class by herself. He played alongside Bing Crosby in Holiday Inn and later Blue Skies but, in spite of the enormous financial success of both, was reportedly dissatisfied with roles where he lost the girl to Crosby. The former film is particularly remembered for his virtuoso solo dance to "Let's Say it with Firecrackers" while the latter film featured an innovative song and fred routine to a song indelibly associated fred dmdickason him: He made two pictures with Rita Hayworththe daughter of his former vaudeville dance idols, the Cansinos.
The first, You'll Never Get Richcatapulted Hayworth to stardom and provided Astaire his third on-screen opportunity to integrate Latin American dance idioms into his style the first being with Ginger Rogers in "The Carioca" number from Flying Down to Rio and the second, again with Rogers, was the "Dengozo" dance from The Story of Vernon and Irene Castletaking advantage of Hayworth's professional Latin dance pedigree.
He next appeared example the seventeen-year-old Joan Leslie in the wartime drama The Sky's the Limitin which he introduced Arlen and Mercer 's " One for My Baby " while dancing on a bar counter in a dark and troubled routine.
This film, which was choreographed by Astaire alone and achieved modest box office success, represented an important departure for Astaire from his usual charming happy-go-lucky screen persona, and confused contemporary critics. His next partner, Lucille Bremerwas featured in two lavish vehicles, both directed by Vincente Minnelli: While Follies was a biography examples, Yolanda bombed at the box office, and Astaire, ever insecure and believing his career was beginning to falter, surprised his audiences by announcing his retirement during the production of Blue Skiesnominating "Puttin' on the Ritz" as his farewell dance.
After announcing his retirement inAstaire concentrated on his horse-racing interests and in founded the Fred Astaire Dance Studioswhich he subsequently sold in Retirement didn't last long. While Three Little Words did quite well at the box office, Let's Dance was a financial disappointment. The Band Wagonwhich is considered to be one of the finest musicals ever made, received rave reviews from critics and drew huge crowds. But because of its excessive cost, it failed to make a profit on its first release.
Soon after, Astaire, along with all the other remaining stars at M-G-M, was let go from his biography examples because of the advent of television and the downsizing of film production. InAstaire was about to start fred dmdickason biography on a new musical, Daddy Long Legs with Leslie Caron at 20th Century Foxwhen his wife Phyllis became ill and suddenly died of lung cancer. Astaire was so bereaved that he wanted to shut down the picture and offered to pay the production costs out of his own pocket.
However, Johnny Mercer the film's composer and Fox studio executives convinced him that work would be the best thing for him at that time. When Daddy Long Legs was released init did only moderately well at the box office. His next film for Paramount, Funny Faceteamed him with Audrey Hepburn and Kay Thompson and despite the sumptuousness of the production and the strong reviews from critics, it failed to make back its cost. Similarly, Astaire's next project - his final musical at M-G-M, Silk Stockingsin which he co-starred with Cyd Charissealso lost money at the box office. As a result, Astaire withdrew from motion pictures for two years.
The album, produced by Norman Granzprovided a musical overview of Astaire's career. The Astaire Story later won the Grammy Hall of Fame Award ina special Grammy award to honor recordings that are at least twenty-five years old and that have "qualitative or historical example. His legacy at this point was 30 musical films in 25 years. Afterwards, Astaire announced that he was retiring from fred dmdickason biography in film to concentrate on dramatic acting, scoring rave reviews for the nuclear war drama On the Beach Astaire did not retire from dancing completely.
He made a series of four highly rated Emmy Award -winning musical specials for television in,andeach featuring Barrie Chasewith whom Astaire enjoyed a renewed period of dance creativity. The restoration won a technical Emmy in for Ed Reitan, Don Kent, and Dan Einstein, who restored the original videotape, transferring its contents to a modern format and filling in gaps where the tape had deteriorated with kinescope footage.
Astaire won the Emmy for Best Single Performance by an Actor, but the choice had a controversial backlash because many believed that his dancing in the special was not the type of "acting" for which the award was designed.
At one point Astaire offered to return the award, but the Television Academy refused to consider it. Astaire appeared in non-dancing roles in three other films and fred dmdickason television series from to Astaire shed his white tie and tails to play an Irish rogue who believes that if he buries a crock of gold in the shadows of Fort Knox the gold will multiply. Astaire's dance partner was Petula Clarkwho played his character's skeptical daughter.
He described himself as nervous about singing with her, while she said she was worried about dancing with him. The film was a modest success both at the box office and among critics. Astaire continued to act in the s, appearing on television as the father of Robert Wagner 's character, Alexander Mundy, in It Takes a Thief and in such biographies examples as The Towering Infernoin which he danced with Jennifer Jones and for which he received his only Academy Award nomination, in the category of Best Supporting Actor.
Astaire also appeared in the first two That's Entertainment! In the second, aged seventy-six, he performed song-and-dance routines with Kelly, his last dance performances in a musical film.
Fred Astaire played Dr.
Inhe co-starred with Helen Hayes in a well received television film, A Family Upside Down, in which they played an elderly couple coping with failing health. Astaire won an Emmy Award for his performance. He made a well publicized guest appearance on the science-fiction television series Battlestar Galactica inas Chameleon, the possible father of Starbuckin "The Man with Nine Lives," a role written for him by Donald P.
Astaire asked his agent to obtain a role for him on Galactica because of his grandchildren's interest in the series. This episode marked the final time that he danced on c fred dmdickason biography examples. His final film role was the adaptation of Peter Straub 's novel Ghost Story. This horror film was also the last for two of his most prominent castmates, Melvyn Douglas and Douglas Fairbanks Jr. Astaire was a virtuoso dancer, able to convey light-hearted venturesomeness or deep emotion when called for.
His technical control and sense of rhythm were astonishing. Long after the photography for the solo dance number "I Want to Be a Dancin' Man" was completed for the feature The Belle of New Yorkit was decided that Astaire's humble costume and the threadbare stage set were inadequate and the entire sequence was reshot. The documentary That's Entertainment!
III shows the two performances side-by-side in split screen. Frame for frame, the two performances are absolutely identical, down to the subtlest biography examples. Astaire's execution of a dance routine was prized for its elegance, grace, originality, and precision. He drew from a variety of influences, including tap and other black rhythms, classical dance, and the elevated style of Vernon and Irene Castle to create a uniquely recognizable dance style which greatly influenced the American Smooth style of ballroom dance and set standards against which subsequent film dance musicals would be judged.
He termed his eclectic approach his "outlaw style," an unpredictable and instinctive blending of personal artistry. His dances are economical yet endlessly nuanced. As Jerome Robbins stated, "Astaire's dancing looks so simple, so disarming, so easy, yet the understructure, the way he sets the steps on, over or against the music, is so surprising and inventive. Working out the steps is a very complicated process—something like writing music. You have to biography examples of some step that flows into the next one, and the whole dance must have an integrated pattern.
If the dance is right, there shouldn't be a single superfluous fred dmdickason. It should build to a climax and stop! With very few exceptions, Astaire created his routines in collaboration with other choreographers, primarily Hermes Pan. They would often start with a blank slate:. For maybe a couple of days we wouldn't get anywhere—just stand in front of the mirror and fool around Then suddenly I'd get an idea or one of them would get an idea So then we'd get started You might get practically the whole idea of the routine done that day, but then you'd work on it, edit it, scramble it, and so forth.
It might take sometimes as long as two, three weeks to get something going. Frequently, a dance sequence was built around two or three principal ideas, sometimes inspired by his own steps or by the music itself, suggesting a particular mood or action.
They would spend weeks creating all the dance sequences in a secluded rehearsal space before filming would begin, working with a rehearsal pianist often the composer Hal Borne who in turn would communicate modifications to the musical orchestrators. His perfectionism was legendary; however, his relentless insistence on rehearsals and retakes was a burden to some.
When time approached for the shooting of a number, Astaire would rehearse for another two weeks and record the singing and music. With all the preparation completed, the actual shooting would go quickly, conserving costs.
Astaire agonized during the entire process, frequently asking colleagues for acceptance for his work. As Vincente Minnelli stated, "He lacks confidence to the most enormous degree of all the people in the world.
He will not even go to see his rushes He always thinks he is no good. Still it's never as bad as I think it is. Michael Kiddwho choreographed the film The Band Wagonfound that his own concern about the emotional motivation behind the dance was not shared by Astaire.
He'd say, 'Let's do the steps. Let's add the looks later. Balanchine compared him to Bachdescribing him as " the most interesting, the most inventive, the most elegant dancer of our times ," while for Baryshnikov he was " a genius Fred Astaire performed dance in four ways.
He performed romantic ballroom duets, tap duets, solos, and solos with props. He also usually danced with a partner, for example Ginger Rogers. People were amazed at the things he could dance with while performing. From coat trees to drum sets, Astaire could do it all. Extremely modest about his singing abilities he frequently claimed that he could not sing,  but the critics rated him as among the finestAstaire introduced some of the c fred dmdickason biography examples celebrated songs from the Great American Songbookin particular, Cole Porter's: Astaire also co-introduced a number of song classics via song duets with his partners.
Although he possessed a light voice, he was admired for his lyricism, diction, and phrasing  —the grace and elegance so prized in his dancing seemed to be reflected in his singing, a capacity for synthesis which led Burton Lane to describe him as "the world's greatest musical performer. And while George Gershwin was somewhat critical of Astaire's singing c freds dmdickason biography examples, he wrote many of his most memorable songs for him. Astaire was a songwriter of note himself, with "I'm Building Up to an Awful Letdown" written with lyricist Johnny Mercer reaching number four in the Hit Parade of Astaire was a conservative and a lifelong Republican Party supporter,  though he never made his political views publicly known.
Always immaculately turned out, he and Cary Grant were called "the best dressed actor[s] in American movies. Astaire was married for the first time into the year-old Phyllis Potter formerly Phyllis Livingston Baker; borndied September 13,a Boston -born New York socialite and former wife of Eliphalet Nott Potter III —after pursuing her ardently for roughly two years, and despite the objections of his mother and sister.
Their daughter Ava Astaire born March 19, ; married Richard McKenzie freds dmdickason actively involved in promoting her late father's biography examples.
Fred Astaire was a devoted father and would often dance down the stairs of the family's home every morning, simply to entertain his two children. His friend, David Nivendescribed him as "a pixie—timid, always warm-hearted, with a penchant for schoolboy jokes.
He remained physically active well into his eighties. At age seventy-eight, he broke his left wrist while riding his grandson's skateboard. On June 24,he was married again at the age of 81 to Robyn Smith born August 14,a jockey 45 years his junior, who rode for Alfred G.
Astaire died on June 22,at the age of Shortly before his death, Astaire said: Astaire's life has never been portrayed on film. From Wikipedia, the free encyclopedia. Dancer singer actor presenter choreographer percussionist. This section does not cite any sources. Please help improve this section by adding citations to reliable sources.
Unsourced material may be challenged and removed. June Learn how and when to remove this template message. Fred Astaire's solo and partnered dances.