Sandra shamas biography
Follow along with your own faces. Shamas works with very few props in her shows but her face are body are very expressive. Please excuse our appearance as we are currently editing the site and its contents.
Sandra Shamas: A Trilogy of Performances: My Boyfriend's Back and There's Gonna Be Laundry; The Cycle Continues; Wedding Bell Hell
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While Shamas has always used her own life and that of those close to her as material for her stage shows, she insists she has their permission to do so and does not use the shows to heal herself.
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There is much humour in her shows and audience members often find themselves in tears of laughter, whether at the serious or silly moments. Shamas' work is not fully felt on the printed page; its full effect depends on Shamas' vocal intonations, facial expressions and amazing body contortions.
She added a few local references and the work was well received by the British audience and critics. The following year, she decided to perform her work in San Francisco. Despite feeling that working there could mean less control of her material, she deliberately left in the Canadian references for a mostly receptive audience.About Sandra
A San Francisco newspaper strike made it impossible to advertise the show. That, combined with a 5-day delay caused by immigration procedures, led to Shamas being sued by the United States producer.
After the five-week San Francisco run and its assorted problems, Sandra Shamas decided a sabbatical was in order, once she completed a few more Canadian commitments. Troubled by nightmares about falling and divorce, she was still shocked when her husband, Frank, announced that he wanted to end their marriage.
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The resulting division of assets led Shamas to retreat to her farm, Wit's End. Lots of crying followed, along with adjustment to rural life and its charms. Please help improve it or discuss these issues on the talk page. Learn how and when to remove these template messages.
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