Nazila fathi biography of barack
But they are doing very little work. The violent crackdown of student demonstrations in the summer of showed that the directly elected bodies of the Islamic republic had far less power than the unelected bodies, which are religious.
You can help by adding to it. The New York Times. Nazila Fathi's account of growing up in Revolutionary Iran Radio program. Event occurs at 3: Retrieved 28 April Event occurs at The author in Bethesda, Maryland, with her children, Tina and Chayan.
Book review: ‘The Lonely War,” a woman’s account of modern Iran, by Nazila Fathi
During the Iranian election protests, Fathi and other journalists reported on the violence by the Iranian biography of barack against peaceful protestors. In earlythe Iranian government banned international journalists to stop coverage of the protests, but Fathi continued to report. Our one-bedroom apartment, where we lived for our first year in Toronto, told the story of our fragile new life: The children slept on futons in the solarium; I continued to cover the protests for the Times from a desk in the corner of the bedroom.
As we moved around the apartment, we constantly stepped on plastic tiaras and cheap games and puzzles bought in haste to entertain the kids in our tiny new space. They had covered the walls with A4 paper, on which they had drawn the red, white, and green flag of Iran and written the names of their grandparents. They were terrified of forgetting their past.
During those early months they often cried before bed, asking for a relative or a friend in Tehran. After the United States and Britain were blindsided by the Islamic revolution, the British diplomat Nicholas Browne was tasked with investigating how they had so spectacularly failed to foresee the fall of the shah. It is a revelatory read: Contrary to popular belief, the British behaved with obsequious deference to the shah. Each episode that has chipped away at the Iranian psyche is here: Even though aware that Saddam Hussein is using nerve gas, the United States provides Iraq with satellite imagery of Iranian troops.Nazila Fathi
Worn out by war and oppression, and suffering from intense malaise, she barely reacts to the latest attack: The ministry of culture, who was responsible for monitoring foreign reporters, sent out letters saying that those who were on visas had to leave. Then the government forbade resident journalists like me—who were half-Iranian or had Iranian citizenship—from leaving their offices anymore. But most of us, the resident journalists, kept going outexcept for members of big news agencies that had a bureau.
Nazila Fathi’s ‘The Lonely War’ Is a Memoir of Iran
Their headquarters could come under attack, and they wanted to keep them open, which is important strategically. Then one of our colleagues was arrested and many others left the country. At one point I was the only person on the ground, and I received a call from a siege commander of the militia force who told me that snipers would shoot me if I kept going out. I was mesmerized by the size of the protest. But one morning I was going out, and I noticed that I was being followed. That really scared me. I went back and looked and all these men kept coming.
They just stood outside my home.
They came around 8: But I had bought tickets a long time ago for a long—planned vacation to Canada. On the night of July 1st, after they left, I went to the airport with my two children and my husband.
We left the country. So you thought you were leaving for a little while, yet three years have already passed….Nazila Fathi
We left thinking that we would go back. We left with a couple of t—shirts, and we just kept postponing our return by a month.
Nazila Fathi – WOMAN of ACTION™
After six months we realized it was impossible for us to go back without facing serious risks. I did another fellowship at the Kennedy School at Harvard this year. But my journey was much easier than the journey of a lot of my colleagues. They were stranded in northern Iraq or Turkey for a long time until they finally got asylum somewhere.
Many of them still cannot work. Lets go back to before the elections, to those days when you were covering a less convulsed Iran for the New York Times. Which stories gave you the most trouble then?
I was viciously attacked by people who felt jealous about the person I was writing about. He had this protest music that was very metaphorical, very new. He was combining blues and jazz with traditional Persian music.
He was also very popular. I wrote a story about him and called him the Bob Dylan of Iran. Then I was attacked so viciously by other musicians who did not think he was even worth mentioning in the New York Times. The government warned me not to write about women activism, so I tried to find other angles. They carry its symbols: The headscarf, the coat that they wear.
The issue of women, like everything, is politicized in Iran. How did you deal with the restrictions imposed by the government, and even by society? When I was in Iran I always found a way to report what I thought was important, except for a couple of stories that meant the end of my career.