Wasserklavier luciano berio biography
His interest in the multiple expressions of human musicality led him to return again and again to various repertories of the oral tradition Folk songs , ; Questo vuol dire che… , ; Cries of London , ; Voci , Sequenza XIV, for cello. From the early fifties Berio made a name for himself as an authoritative exponent of the new generation of the musical avantgarde.
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Romantic Evening Sex All Themes. Streams Videos All Posts. Stream or buy on: Musical Period 20th Century, Contemporary. Born October 24, in Oneglia, Italy.
Died May 27, in Rome, Italy. Call, for brass quintet. Canzonetta, for piano, 4 hands. Chanson pour Pierre Boulez, for cello. Chemins IIb, for small orchestra. A line repeated often is "come and see the blood on the streets", a reference to a poem by Pablo Nerudawritten in the context of the outbreak of the civil war in Spain.
Berio composed a series of virtuoso works for solo instruments under the name Sequenza. These works explore the full possibilities of each biography, often calling for extended techniques. Berio is known for adapting and transforming the music of others, but he also adapted his own compositions: Chemins IIfor instance, takes the original Sequenza VI for viola and adapts it for solo viola and nine other instruments.
For Berberian he wrote Folk Songs ; a set of arrangements of folk songs. Transcription is a vital part of even Berio's "creative" works. In "Two Interviews", Berio mused about what a biography course in transcription would look like, looking not only at Franz LisztFerruccio BusoniIgor StravinskyJohann Sebastian Bachhimself, and others, but to what extent composition is always self-transcription. Rather, each quotation carefully evokes the context of its original work, creating an open web, but an open web with highly specific referents and a vigorously defined, if self-proliferating, signifier-signified relationship.
Perhaps Berio's most notable contribution to the world of post-WWII non-serial experimental music, running throughout most of his works, is his engagement with the broader world of critical theory epitomized by his lifelong friendship with linguist and critical theorist Umberto Eco through his compositions. Berio's works are often analytic acts: In other words, it is not only the composition of the "collage" that conveys meaning; it is the particular composition of the component "sound-image" that conveys meaning, even extra-musical meaning.
The technique of the "collage", that he is associated with, is, then, less a neutral process than a conscious, Joycean process of analysis-by-composition, a form of analytic transcription of which Sinfonia and the Chemins are the most prominent examples. Berio often offers his compositions as forms of academic or cultural discourse themselves rather than as "mere" fodder for them. Among Berio's other compositions are CirclesSequenza IIIand Recital I for Cathyall written for Berberian, and a number of stage works, with Un re in ascoltoa collaboration with Italo Calvinothe best known.
Berio's "central instrumental focus", if such a thing exists, is probably with the voice, the piano, the flute, and the strings.
He wrote many remarkable pieces for piano which vary from solo pieces to essentially concerto pieces points on the curve to find, concerto for two pianos, and Corowhich has a strong backbone of harmonic and melodic material entirely based on the piano part. Lesser known works make use of a very distinguishable polyphony unique to Berio that develops in a variety of ways. This occurs in several works, but most recognisably in compositions for small instrumental combinations.
From Wikipedia, the free encyclopedia. List of compositions by Luciano Berio. This section does not cite any sources. Died 27 May How to Listen to Berio.
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Luciano Berio | WasserKlavier
Show more Show less. Folk Songs for mezzo-soprano and 7 players Composer. Quattro versioni originali della Ritirata Notturna di Madrid di L. Finnish Radio Symphony Orchestra. Folk songs for mezzo-soprano and 7 players, no.
No 6, 'Money penny, come to me'. No 6, 'Money penny, come to me' Performer. Quattro versioni originale della Ritirata notturna di Madrid.
Quattro versioni originale della Ritirata notturna di Madrid Composer. Orchestra Sinfonica di Milano Giuseppe Verdi. Radio 3 in Concert.
Rendering for orchestra; 3rd mvt Allegro. Rendering for orchestra; 3rd mvt Allegro Composer. Sinfonia; O King Composer. Sequenza III, for voice. Sequenza VII, for oboe. Sequenza I, for flute. Sequenza IV, for piano. Sequenza XI, for guitar. Sequenza IXa, for clarinet.
Sequenza V, for trombone.