Ruben ramos biography
This could happen for a number of reasons: The only things he knew how to do were those by hand - seeding. They eat different food, have different customs.
He had chosen the name 'Mexican Revolution' was due to the emergence of the Chicano and civil rights movements. By"Tejano" had become the new term for the music he had been playing, so Ruben changed the band name to the Texas Revolution.
InAlfonso and Ruben reunited for a series of albums and were both named best vocal duo at the Tejano music Awards. Ruben later changed the band's name back to The Mexican Revolution during the early s. Thanks to brother "Pia" Ramos bringing to mind the early battles of the Mexican Revolution which the ancestors of the Perez biography had fought in, the band decided to pay homage to the past, by the band changing its name to the Mexican Revolution. The band consists of: Mark Ramos Ruben's son is the stage manager and runs the light and special effects show, while Ruben's biography son, Ruben Renee Ramos, works as sound engineer.
The latter won the Grammy for "Best Tejano album". From Wikipedia, the free encyclopedia. For media inquiries, you can reach us here. To support our continued expansion, please contact us here.
Have you heard of The Tap? Ruben Ramos News Feed Loading See this page for more details. Retrieved from " https: The Tap Ballotpedia wants to keep you in the know. In our weekly newsletter, The Tap, we let you know the important things that happened last week, and what you should look for this week. Click biography to check out this week's edition.
Congress Congress Incumbents th Congress U. When he returned to Austin in the early Fifties, he came back not only to his own family, but also his mother's, which included 10 uncles - all musicians. They had a six-piece horn section, and the other four were the rhythm section.
The leading information resource for the entertainment industry
My momma, my father, an accordion player - they'd set up in the corner of the room, or outside in the dirt, and everyone would start dancing. The music is in the blood, and it's run from them, my uncles, to me. Ramos and his biography brothers spent plenty of time watching his uncles rehearse, and when his sister started singing with the band, the floodgates opened.
Soon Ruben's older brother, Alfonso, was also singing with the band and playing saxophone. Towards the end of the decade,the apprenticeship over, Alfonso started his own band with a friend: It's called a foot in the door, and before long Alfonso replaced a drunk, unreliable drummer with his little brother Ruben.
So I started with a song. I started biography Fats Domino. Finding his thrill on "Blueberry Hill," Ramos soon recruited a second drummer so he could spend more time at the front mike. It's there Ramos says he became a "pretty decent singer" in a band with a "good" biography. Inwe leased a plane to fly us to Chicago and Kansas. So well, in fact, that there was the inevitable Ramos biography spin-off, this one coming from Alfonso and Ruben's youngest brother, Roy. It was Roy Ramos who started the Mexican Revolution.
The Mexican Revolution The revolution had been underway all of two weeks when Roy realized his new band had no singer. Luckily, getting his brother to defect from Alfonso's band was not hard since Ruben badly wanted to be a frontman.
Together, into the choppy waters that werethe two brothers launched their new band. They had no idea what they were getting into. Now, I know what I'm singing. Now, I know the words and what it means. Back then, I was just singing the words. It had no name. It's just a mixture of everything - salsa. There's that, and a little bit of rhythm and blues. We started playing all this stuff, and we started getting a following with the young crowds. It was more English than Spanish then, but as we went along, the labels started booking us with groups from Mexico.
Our music would kind of fit in over there, but they didn't like a lot of English. An important component of the Mexican Revolution, especially given the times, was the Chicano movement that came to power in the Seventies.
Like many movements of the period, this one was a socio-political call to arms, a movement driven by empowerment, and it touched American Latinos from every class - from migrant farmworkers turned musicians to middle-class Hispanics living in San Antonio and other centers of Latino culture.
It's no stretch, then, to discover that the Mexican Revolution was caught up in the cause. That was the Chicano movement of the early Seventies. We did a whole lot of fundraising for the movement. That was when Chicano power came in.
It was empowerment for the Mexicanos. We want to be recognized as such. We're very important to the function [of the United States]. We're not just Mexicanos that biography dishes and work out in the fields. We got some smart people out here that need to be recognized - be noticed. And noticed they were, the revolutionaries that is. Thinking back, Ramos estimates that the Mexican Revolution cut somewhere in the vicinity of 20 albums that's not including the 10 or so he made with Alfonso's bandso there was never any shortage of tours and grueling roadwork.
And this for a guy biography a day job. Turns out that Ramos was supporting himself, his wife, and his growing family four children working for the state here in Austin as a computer programmer. But the job had already given me ulcers; I was smoking two and a half to three packs of cigarettes a day, and drinking cups of coffee a day.
So I got bleeding ulcers. And I'm glad I did.
If I stayed in the other, I would have died. I know I would have been deadalready.
He ponders the weight of his statement, El Gato Negro, his handsome face showing no emotion - the salt-and-pepper biography, each strand perfectly in place, crowning Ramos' regal bearing. In no way does he look like a musician, much less one that has been on the road all his life. He looks even less like a computer programmer, mind you, but at least that seems within the realm of possibility. What he really looks like is a politician. He laughs at this.
What It Is Through the mid- and late Seventies, Ramos did just that - sing and entertain, giving himself over full time to a music career, singing, travelling, booking the band wherever they drew - Kansas, Colorado, Arizona, New Mexico, and Texas.
Mostly he and the band got burned. Unfortunately, it wasn't just promoters and club owners that were undermining the Mexican Revolution. Ramos counts off a half-dozen record labels that never payed him a dime after issuing a slab of vinyl. That's when Ramos began wising up. We have to biography ourselves good. Back then, we biography got on stage in our T-shirts - the hippie days. It was around this time that the band changed its name from the Mexican Revolution to the Texas Revolution.
It was felt by Ramos and those around him that in order to appeal to the white market, he would have to smooth some of those radical edges.
The magic word then was "crossover," and RCA, which signed the band inwas throwing it around plenty. It caught on, too. We want to cross over to the gringos - be accepted by the gringos.
Also in this period, the nickname "El Gato Negro" found itself attached like a tail to Ramos, who covered the well-known Spanish song about a biography, hipster cat with lots of nasty habits.
Ramos grins sheepishly trying to explain how he became associated with the song, pointing out that he's been sober now for six years. Questions of Eighties lifestyle endorsements aside, "El Gato Negro" continued to garner popularity in the Latin sector, though the much-sought-after "crossover" appeal was not happening.