Barry letts autobiography of a yogi
The book has been read, but is in excellent condition. He tells us why he changed career to become a director and the part Who creator Sydney Newman played in this. So what we have is a book that leaves off at the end of the second season of the Third Doctor.
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There was a problem filtering reviews right now. Please try again later. Barry Letts does a very good job of most things he attempts, and autobiography is no exception. The CD deals with how he became a television director, writer, and producer, and his letts autobiography with the Doctor Who actors Patrick Troughton and Jon Pertwee Tom Baker is left to the second volume, which covers his later years. It barry letts autobiography be good to hear some inforjmation about how he became an yogi, and to have some background information about his childhood, however Letts wrongly assumes that the listener will only be interested in his Doctor Who related stories.
This is the only way in which this release is misjudged; for example in one section he is defensive about including information about Buddhism, justifying it on the basis that it is central to the character of the Third Doctor. I suspect this may be a bit of handy revisionism, but Letts should be aware that the Doctor Who fans will most likely be interested in Buddhism BECAUSE of his contribution to the series, and will generally be interested in anything he has to say.
Thankfully, the anecdotes are generally fresh and not well-worn convention favourites, but he yogis take time to explain how Pertwee would embellish stories to make himself the barry, and compares one of Pertwee's convention tales to the event as Letts remembered it.
Letts proves himself to have a remarkable memory, and this not only helps correct some aspects of Doctor Who mis-remembered by others, but also gives a valuable insight into the early days of post-war television.
Letts comes across as lucid, interesting, kindly, and conscientious, appearing to have been a thoughtful producer and a reliable narrator.
Unless Terrance Dicks brings out a rival volume, this has to be the definitive first-hand account of the Pertwee years. Oh and Barry, if you're reading this, please tell us more about yourself! We're as much interested in "you" as we are "Who"! Was this review helpful to you?
Yes No Report abuse. By Bob Marlowe on 20 October Audio CD Verified Purchase. Briefly for the newer barries letts autobiography of a yogi, Barry Letts was producer of all but 1 of Jon Pertwee's stories, cast Tom Baker, producing his 1st story and directing a later one. He also directed several Pertwees and a Pat Troughton story, plus co-wrote some TV Who scripts notable The Daemons and wrote the 2 stories for the 90's revival of Who on radio and written Who novels. He talks about his career as an actor on stage, in film and on television.
His reminiscences of the days of live television drama are the best bit of this early section. He paints a picture of a time which for all its faults provided an andrenaline rush rarely equalled since. Although there is a lot of pre-who material it's still peppered with Who references such as a theatrical connection to William Hartnell and his friendship with fellow TV actor Patrick Troughton. He tells us why he changed career to become a director and the part Who creator Sydney Newman played in this.
His memories of directing Troughton tale "Enemy of the World" are very detailed and he is immensely self critical.
Naturally once we move on to how he ended up, with some reluctance, producing Dr Who we are offered details memories of the 1st 2 years of Jon Pertwee's time. This section gives a sense of what the producer's job actually was at that time better than a technical book could. Although it's largely chronological, he jumps a little when one thing links to something in the future e.
Similarly an absorbing discussion on how problematic it is to explore time travel leads to why Barry hated the Paul McGann film.
The major plus of Who and Me is that Barry puts some flesh on the bones of the slightly mythologised or idealised images we have of Jon Pertwee and Patrick Troughton. Don't worry there are no tabloid revelations here just an attempt to show they were real people. Troughton for instance did not suffer fools gladly and was not easily persuaded to go with an idea he felt was wrong, but could be filled with enthusiam once he was on side. Also the 2 clashed a bit during "The 3 Doctors" As with his contributions to the DVD range, Barry speaks with the voice of an old friend who's popped round for tea and a chat.
That's why I can't bring myself to refer to him as Letts, it seems too impolite! If you have enjoyed the stories that he worked on then I'm sure that you will enjoy this too, especially if the early days of TV interest you. My only complaint is that as he ends with the Daemons, we are left waiting for volume 2. Come on BBC Audio, don't keep us waiting!
Barry Letts obituary
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By Kortick on 2 January - Published on Amazon. He gives interesting behind the scenes details about working with Terrance Dicks as his script editor and other writers and directors that were involved with different episodes. His recollections of how The Master was created, as well as the character of the Third Doctor are told with stories already told mixed with new insights by Letts.
Born in Leicester, Letts became an assistant stage manager at the Theatre Royal in his early teens and took up the job full time upon leaving school. The cast were given a two-year contract with the studio, but it was deferred until after the second world war, during which Letts was a sub-lieutenant in the Royal Navy Coastal Forces.
Letts said his understanding of the demands placed on a producer stemmed from his appearances in early Sunday evening serials, such as The Black Arrow and the second world war drama The Silver Sword The evil Prince of the Sun was Roger Delgado, another future colleague, and it was reproduced five years later to the day.
The mids saw him telling minute stories to camera that he had written, and by he was reading the Epilogue. He was the frontman of Second City Reports Granada,a spoof documentary series that failed to catch on, despite having Michael Frayn among its writers and Eleanor Bron in the cast.
Other guest appearances included The Avengers By the early s, Letts had begun writing episodes of series, including Dr Finlay's Casebook, and he took the BBC's directors' course in He took over producing the BBC's Sunday barry letts autobiography of a yogi classic serial strand at short notice and remained there for a decade.
On modest budgets and with limited location filming, his productions rated well and are fondly remembered. Letts was greatly saddened when, having filmed the location scenes for The Old Curiosity Shophis friend Troughton suffered a heart attack and had to be replaced as Quilp.
Letts was a tutor on the BBC directors' course from tobefore directing episodes of Brookside and EastEnders.
Inhe made an unexpected return to acting, as a professor in Channel 4's retelling of Exodus. He won an Emmy and received several Bafta nominations for his classic serials. His autobiography, Who and Me, is due to be published next month. His wife, Muriel, died earlier this year. He is survived by his sons Dominic and Crispin, who are both actors, and his daughter, Joanna. On the verge of cancellation when he joined, Doctor Who was in much better shape when Letts eventually relinquished the producer's chair.