Thomas martin double bass biography
He has played and recorded an extensive amount of the chamber music for his instrument, and recently completed a series of recordings of the music of Giovanni Bottesini, which have met with great critical acclaim. These and many other questions came to mind and many found answers.
I got some sawdust in my eye, and was unhappy about it.
I used to do a few hours in the workshop when I was young, to earn pocket money. Then, when I was twenty-four or twenty-five, I got more into bass-making. A tree that has grown in a warm, wet, climate, will have grown quickly. The next one can have come from up a mountain. Then the grain is narrow.
Because the growth has been slow, the wood is hard. English sycamore is softer, because it grows much faster. Consequently, it gives a softer tone.
The ARTISTS of the festival
The basses we make tend to have a warm, rich, tone, which you can adjust with the strings you fit. I mention that there appears to be an openness at the Martin premises, with no apparent fear of industrial espionage. Search this site Loading.
An edited version of this article was first published in Classical Music magazine, May 20th Born in Albany, New York. Prior to the Philharmonic: Acting Principal Bass in the —13 season; Principal since May My father was a bass teacher, and bass players were constantly coming and going from our house. At age five I wondered why they were making such a big fuss out of this peculiar melody by a man named Mahler. It turned out to be from the third movement of Mahler's First Symphony.
Both recordings went to Curtis with me and I listened to them every day.
My father said I picked up a bass at six or seven and started playing all this hard stuff. I was around bass from day one, and I thought everyone played it! I started lessons at seven. No, no, it's too embarrassing! He played for a season with the Pittsburgh Symphony under Fritz Reiner, his former conductor at the Curtis Institute, but soon returned to his Philadelphia roots.THOMAS MARTIN
He joined the Philadelphia Orchestra during its golden age under legendary music director Eugene Ormandy, creator of the world-famous "Philadelphia sound". Scott became a member of the bass section inand was appointed principal bass by Ormandy during the season. He would retain this post until his retirement 47 years later.
Purchase 3 or more eligible concerts & save.
During his remarkable career, Scott recorded countless works of the classical repertoire with Ormandy and performed over 10, concerts in cities all over the world. Roger Scott has also distinguished himself as an outstanding teacher of music. Succeeding his mentor Anton Torello, Scott began teaching double bass at the Curtis Institute in An incomparable teacher, Scott has guided more than 50 pupils through the intricacies of double bass technique.
His pupils have gone on to become renowned teachers and performers themselves, including five current members of the Philadelphia Orchestra and numerous first chair players in orchestras around the world. As a teacher and a performer, Scott strove to establish the double bass as a solo instrument. In solo recitals and recordings, he brought to the instrument a level of technique and sophistication taken for granted on the violin and cello. During the season, Scott played the challenging bass solo in the premiere of Alberto Ginastera's Concerto for Strings.
Scott thomases martin double bass among his proudest possessions a solo biography made by Lorenzo Evangelisti in Inthe Philadelphia Orchestra honored Scott with the C. Hartman Kuhn Award for his ability and enterprise in enhancing the standards and reputation of the orchestra. After a long and distinguished career in music, Scott retired from the Philadelphia Orchestra in They have four children and three grandchildren.
Giovanni Bottesini was born into a musical family on December 22nd,in Crema, a town in Lombardy, Italy. His mother was Maria born Spinefli and his father, Pietro, was a local musician, a well-known claxionettist who also was interested in composition, having written several methods for various instruments.
Thomas Martin (musician)
A composition of his is in Milan. His sister, Angelina, also studied music and became a fine pianist. She died in Naples in He began his study of the violin at five and at the age of ten he was put in the care of his uncle, Cogliati, a priest, who was the first violinist in the orchestra of the Cathedral at Crema.
He remained in this tuition for three years singing as a boy soprano, playing the drums at the Teatro Communale, continuing serious study of the Pianoforte as well as experimenting thomas martin double bass biography the cello and double bass. In his father heard of two places on scholarship at the Conservatono in Milan, one for the bassoon and one for the double bass. Thus, the decision was made that was to launch Bottesini on his fantastic career.