Hooray for hollywood sung by doris day biography
A Musical History - The s: When I Fall In Love.
Phone Scenes in Movies 22 September 1: Do you have a demo reel? Add it to your IMDbPage. How Much Have You Seen? How much of Doris Day's work have you seen?
Hooray for Hollywood, Vol. 1
Alliterative Attractive Actresses A through D a. Sawako no asa Soundtrack.
Show all episodes. TV Series performer - 1 episode - Crissy Rock The Legend of Elm Street Short performer: The movie didn't do much, box office-wise, but that song made it big. Although it took awhile.
The Warner Brothers put it in a few cartoons, but not until the s, when the Oscar ceremonies nabbed it, did it really take off. Richard Whiting's music and Johnny Mercer's lyrics moved from the silver screen into the stratosphere.
Hooray for Hollywood
There was a deadline, and this was just one of many things they had to supply. We've got Benny Goodman and his band to perform it, so we have to come up with something that is rousing but will be great, performed by a big band.
And because he does all these little twists and turns with the melody — it is rather complex, but it's easy to sing. Composer Richard Whiting arrived in Hollywood inscored more than a dozen films, and was known as a go-to guy who could write any kind of song. She was still known as Doris Kappelhoff when she got a job singing at a local club, but when a chance for radio broadcasts from the club was brought up.
She ultimately took the name Doris Day, owing to the popularity of "Day After Day," and while the gig didn't last, the name did.
Hollywood's 'Hooray': Hardly A Happy Hymn
Inhowever, she was told of an opening for a vocalist in the band of Bob Crosby, Bing's brother and a star bandleader in his own right. Day auditioned and got the job at age She stayed with Crosby's band for three months before she was approached by bandleader Les Brown. This wasand the musical world was dominated by the big bands, jazz-influenced swing outfits that gave singers like Sinatra who was just getting rolling himself as a star vocalist extraordinary opportunities to interpret the songs of the day.
Doris Day:Hooray For Hollywood (1958)
Tin Pan Alley still ruled the airwaves though country and, to a lesser degree, blues were making inroadsand there was no shortage of great songs. In the middle of all that was this little year-old girl, who could impart a feeling of world-weary sensuality or sensual innocence to a song, shading her voice in textures almost too delicate to analyze.
And Doris Day became a budding star, in an era in which Bing Crosby and Frank Sinatra -- not to mention Ella Fitzgerald -- were just a few of the vocalists competing for public attention.Doris Day: Hooray for Hollywood
While singing with Bob Crosby's band, she first worked with many of the sidemen -- Bob Haggart, William Stegmeyer, Billy Butterfield, and Zeke Zarchy -- who would later work on her own recording sessions. It was with Les Brown's band, however, that the public first got to hear her voice and know her name, initially on the radio and then on Brown's recordings. From untilwith a two-year break for an unhappy marriage, Day was a star vocalist, most notably on hits like "Sentimental Journey" and "My Dreams Are Getting Better All the Time," both of which were monster hits for the band.
By the end of the war and her time with Les Brown, when she was barely into her twenties, Day was considered one of the top band vocalists in the world. Apart from having a beautiful voice and command of its every shading, Day's success was based on her approach to songs and audiences. When she sang, she sounded as though she were singing not to a crowd or a mass "audience," but to each individual listener. Her records and her performances resonated for listeners personally, and coupled with the considerable merits of her voice and the quality of Brown's band, it made her a huge favorite with almost anyone who heard her.
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