Pieter hugo photographer biography
February Learn how and when to remove this template message. Photography from South Africa. After his time on stage, the crowd's enthusiasm didn't
It is a lasting image with an intimacy that is at odds with the subject matter. This is one of Hugo's gifts: Kin is an attempt at evaluating the gap between society's ideals and its realities.
A portrait of resilience, boredom and at times intense anxiety, it is a fitting tribute to a great photojournalist. Please choose your username under which you would like all your comments to show up.
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Pieter Hugo: seeing South Africa anew
South Africa Pieter Hugo blogposts. In Hugo collaborated with Hood By Air on a publication. While receiving a lot of 'critical bouquets', Hugo has also been accused of sensationalising and exploiting the exotic "other".Pieter Hugo at Yossi Milo gallery, NYC 2017
Hugo responds, "My intentions are in no way malignant, yet somehow people pick it up in that way. I've travelled through Africa, I know it, but at the same time I'm not really part of it I can't claim to [have] an authentic voice, but I can claim to have an honest one.
Figures and Fictions exhibition co-curator Tamar Garb is ambivalent about the ethical questions his work poses: Even the most precise scientific description of an object or a movement is a tissue of metaphors.
It is within this zone that Hugo "maneuvers through the muddy waters of political engagement, documentary responsibility, and the relationship of these to his own aesthetic. From Wikipedia, the free encyclopedia. This section of a biography of a living person needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediatelyespecially if potentially libelous or harmful. February Learn how and when to remove this template message.
Interview: Photographer Pieter Hugo
Useful Resources On Pieter Hugo. Notes for Now P. Log in or Sign up.
Pieter Hugo: portraits of South Africa - in pictures
And I wonder how sustainable it is. This project developed very organically. I sort of found myself noticing, at some stage, that I was just photographing my family.
South Africa came into it purely out of curiosity and a desire to look at it. Then I realized, well shit, this is my next project and it developed into that.
Often my work comes out of responses from images I see in the media that provoke me in some way or another. I was investigating this and I came across a type of forensic photographic technique that I found interesting and that I thought applied to the kind of colonial experience.
These things develop organically. I do a fashion or advertising shoot once or twice a year.
I like doing it, I like doing it. Initially I worked in the film industry on commercials and movies—working as a scenic and prop master, doing some art direction. Then I switched to becoming "a photographer. I initially worked at newspapers, then I moved more to magazine documentary, kind of long form work.
I like to think of it as slow journalism work. Then at some stage I started getting very frustrated with the vocabulary that journalism offered. I felt like I wanted to dig a bit deeper into my craft. I worked at Colors magazine for a long time, and Adam Broomberg and Oliver Chanarin hugo photographer biography there at the same time.
The whole Colors magazine period that was a big influence. I had an Instagram account that was very successful and then suddenly I started getting approached by people like Time Life Books to write about my Instagram account.