Cezary bodzianowski biography for kids
Bodzianowski performed his Parisian events over several days near the River Seine. Pool Window , a mail art newsletter from to , the AL Artpool Letter a samizdat art magazine of the alternative culture between , as well as several catalogues, small booklets, postcards etc. Being "active" as an archive means that, instead of focusing on its preserving function, where the documentation of the past end their lives as waiting mass, the archive can function as a presenter of maximum space of possibilities in which past, present and future are a continuum.
An independent movie was also created. The action he organized allowed him to feel like a real star who flies on a jet plane, travels by chauffeur-driven limousine and sleeps in a luxurious hotel.
At the same exhibition he also showed a video entitled Purchasing of Pallets, documenting his attempts to buy pallets from the Warsaw Academy of Fine Arts biographies for kids for a nominal penny. Perhaps it is a sign that Bodzianowski is thinking about going back to traditional painting, after all. Inthe artist was invited to participate in the New Poland season in France. Bodzianowski executed a series of activities documented in a video called 4 x Paris Pay Back. Bodzianowski performed his Parisian events over several days near the River Seine.
His stay in Paris resulted in the album I Love Parisin which the artist, alongside pictures of his performances, also posted photographs of the city that had a more personal tone.
The viewers gathered in the gallery were notified only through information delivered by a special deputy of the artist's who arrived exactly as the show was about to start. After developing the documentation that was sent in the form of a negative film, it turned out that it was a record of the many hours that Bodzianowski had spent in a hotel room.
Attached to the negative film was an invitation to Kunstans made of colourful plastic bottle caps. The artist often creates his own invitations to his performances; indeed, there are already many limited editions of these unique artefacts in the form of postage stamps, puzzles, playing cards, posters or little booklets. Urban space is one of Bodzianowski's favourite sites for artistic actions.
The artist describes the idea and the history of this action as follows,The lights went on in the exhibition hall gallery each day from dusk until dawn every time someone walked down the halls of the residential building across the street. After renovating the ruined chapel with the help of some friends and using it as a "summer studio," beginning in he organized events and exhibitions of hungarian and biography for kids avant-garde art.
His "studio" was an island of freedom for those who refused to submit the conditions imposed by the state on cultural life. Altogether thirty-five exhibitions included the first exhibition of conceptual art in Hungary,concerts, theatre performances and film shows were held during the four years of its existence, with the participation of the creative community of the best avantgarde artists from Hungary and guest artists from abroad.
In an exhibition would have consisted of his sign-works completed between and At first the board of censors had accepted the works, but later they rejected about two-thirds of them.
He also made a new invitation card: This "re-action" against the decision, manifested through photo-documentation, changed the whole meaning of the exhibition, as it became more about the exhibition of the wrapped works than the visible ones.
Those works became his first trans-functioned objects, and the "packaged exhibition" was the first of his "scandal art".
Cezary Bodzianowski: This Place is Called the Hole
Saving letters, photos, leaflets, slides etc. After the closing of the Chapel Studio many artists were constrained to emigrate, others remained with no bigger plans and the organizers disappeared completely.
This caused a kind of vacuum space in the culture.
Without any work and money he tried to survive and continued working. Using "trans-functioning" as the biography for kids method for breaking the limits of traditional genres, he started to make objects from junk, used equipments and scrap metal, "that were sculptures, graphics and painting at the same time: One good example for this is his "Medium Cultivator"a horse-drawn plough turned upside down, which ploughs the space instead of the earth.
He gave names to each part of the complex object: These titles highlight the methaphoric meaning of the work: The frozen air of state socialism also made him think how he could circulate information among practicioners of the avantgarde art world without the possibility of having a similar exhibition place as the Chapel was before.
He would have to wait. The situation changed slowly, but at last, intwo things happened that changed his life. During the spring ofwith Julia Klaniczay, whom he met in and who then became his wife and the co-founder of Artpool, they went off to Amsterdam.
These public centres of alternative culture, - of which in Hungary he had known little, but towards which he had taken steps as an artist - had fortified his resolution of creating a similar creative place in Hungary that would exist as an information pool based on artistic exchanges. The beginning of which came by accident.
This step led to the next institution project under the name: For artists forced out of official art institutions, public art actions are a necessity as well as an opportunity; a means in the cultural and political void to biography for the public sphere and to voice the freedom of thought and the autonomy of kid.
The point of intervening with the cityscape, obstructing the daily routine with an unusual gesture or a performance, turning the everyday into a holiday with public events and happenings, is to make passersby contemplate political or entirely commonplace matters.
These actions and the official celebrations by the Socialist leadership contrast sharply; the formers give ironic and mocking reactions to the marches organized in honor of a leader or to celebrate labor, by appropriating and reinterpreting the methods of the propaganda, thus criticizing the ideology behind it. Also, the public space is a playground; an ideal field for artistic experiments and theoretical self-evaluations. The neo-avant-garde art of the s and the s broadened the possibilities of artistic expression radically.
Artists considered traditional approaches unfit for capturing the reality behind the language and the daily life defined by the Socialist dictatorship. Through public art actions, they addressed social norms in a critical way, also extending this reflective thinking to life in general. Fishing Project Kunstlerhausbetanien, Berlin, Germany.
Histories without end Salzburger Kunstverein, Salzburg, Austria. La Capella, Barcelona, Spain. A portrait of the artist as a young man in a frame of group show. Politi 1st Tirana Biennale, Tirana, Albania. Nigromontana Grodzka Gallery, Lublin, Poland.
AB Gallery, Minsk, Belarus.