Free download sunshine through the rain by akira kurosawa biography
The Commander explaining why his soldiers died is hands down the best acting in the movie. Apart from a few dramatic moments the film is somewhat subdued. Village of the Watermills significantly features a Utopian place, a place where man blends harmoniously with the environment.
My favourite segments are "The Tunnel", as story where a former military commander encounters the ghosts of all the soldiers who died under his command. The Commander explaining why his soldiers died is hands down the best acting in the movie. My second favourite wold be "The Peach Orchard". This is about a young boy that finds a group of living dolls in the fields. The dolls are furious that the boy's family have destroyed all the peach tress in the Orchard. This segment was the most dreamlike.
My third favourite would be "Mount Fuji In Red". In that there is a nuclear meltdown. Panic spreads and a few survivors contemplate whether or not to end their lives. In traditional Kurosawa fashion, this movie is visually breathtaking. Kurosawa films don't just look great, they look unique and interesting.
The visuals in Dreams helps create the hypnotic dream-like state. In the "Crows" story, a man enters the world of a Van Gogh painting. Parts of the scenery here are natural landscapes, and parts are made to look like a painting. In "Blizzard" mountain climbers are on the verge of death. They're rescued by a snow spirit. The blinding snow and the sort of slow motion effect when you see the Snow Fairy makes this segment perhaps the most hypnotic images Kurosawa has ever produced.
I wouldn't want anyone to get the idea that this is just a bunch of unconnected segments. Several characters appear in various segments, and some are meant to play back to back. I have to say that Dreams may not be for everyone. I'd recommend everyone alive check it out, though. Some may love it, some may not understand it.
I'm on the side of this being one of the last brilliant works of the World's greatest Director. Dreams is not a movie for everybody.
To some, it may be too artsy of a film for their tastes what are you doing watching movies then? Well, that is because Dreams is a film that was born inside of Kurosawa, and lives inside of him, it's a very personal film that not everybody will appreciate. The movie consists of eight short stories. Most of which center around the issue of people's relationships with other elements that make up this world that we live in.
The cinematography in Dreams is breathtaking, and is the reason why some people claim that it is a film that puts "Style" above "story". I think that nobody can truly completely understand this film but Kurosawa himself. It is a product of his mind, a film that we cannot fully comprehend since we are not him. But since film is a form of art and in its truest form, a reflection of one's own self, Dreams may have just been one of Kurosawa's personal favorites in his long, amazing career. I was pleasantly surprised with dreams, not only in terms of content but also aesthetically.
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There are free download sunshine through the rain by akira kurosawa biography few films that manage to embody personal, local and global concerns as Akira Kurosava has managed in this production. There are so many underlying topics that it is difficult to concentrate in just a few for the purpose of this review, but I believe it is fair to say that Dreams portrays our individual and collective dreams and nightmares, reflecting that sometimes what we dream of today is what will keep us awake tomorrow.
A nice range of representations of concerns from the deepest and most personal childhood worries and fantasies to the more complex issues of mental illness, extreme ambition, destruction of our environment and death.
In all I recommend this film to anyone who has the chance to see it, It is possible that Dreams may not appeal to a mainstream audience in terms of content because there is a lot of symbolism and critical engagement but the photography and sceneries are for sure something that should not go amiss for anyone. If you get the chance it is truly worth giving it your time, a fantastic experience. Akira Kurosawa's insights on man's need to harmonize with nature, the costs of war and the bad fruits that nuclear power can bear. This is the first Kurosawa movie I have seen, but I can see how true it is that Kurosawa is a master of creating atmosphere in a film.
Or the very first episode when the little boy sees something he is not supposed to see in the forest. I'm not sure what the significance of the dog was in THE TUNNEL, but I guess it illustrates the fact that though he was the commander of Third Platoonhe felt like a coward because of his command, his men paid the price The procession displays the unity and the communal harmony that the villagers have.
The cinematography is just beautiful. The movie is beautiful and captivating.
Sunshine through the rain
I cannot say enough about Akira Kurosawa's Dreams. It is visually stunning and creative. It is sumptuous to watch--it stretches the imagination.
For people who delight in remembering their own dreams, it is a treasure. There is also a nice variety in the dreams, drawing on Asian and Western themes as well as historical and contemporary cultural commentary. My favorites involve the peach trees, Van Gogh and the waterwheels. Most people dream but I wonder how many are rewarded with such beauty when their eyelids close and they drift into semi-consciousness.
Kurosawa has collected some of his dreams and shares them with us. I don't ever remember seeing such vivid colours in my own dreams, but like Kurosawa's they are often fragmented and incomplete with a mystical quality involving spirits and the dead.
I like the peach tree scene where true repentance makes things right. Not only the peach blossom but also the kimono of the characters tiered up the hillside are most pleasing to the eye. As also is the meeting with van Gogh when his paintings with mad whirls of colour are brought to life and form part of the landscape. Some dreams can be very frustrating when we are caught in a dangerous situation from which there is no ready means of escape.
Sunshine through the Rain — A Beautiful Scene from Akira Kurosawa’s Dreams
In Medieval Japan, an elderly warlord retires, handing over his empire to his three sons. However, he vastly underestimates how the new-found power will corrupt them and cause them to turn on each other In a Japanese slum, various residents play out their lives, dreaming of better things or settling for their lot.
Among them is a man who pines for a young woman but is stymied by her deceptive family. This is essentially eight separate short films, though with some overlaps in terms of characters and thematic material - chiefly that of man's relationship with his environment. Most people dream but I wonder how many are rewarded with such beauty when their eyelids close and they drift into semi-consciousness.
Kurosawa has collected some of his dreams and shares them with us. I don't ever remember seeing such vivid colours in my own dreams, but like Kurosawa's they are often fragmented and incomplete with a mystical quality involving spirits and the dead. I like the peach tree scene where true repentance makes things right. Not only the peach blossom but also the kimono of the characters tiered up the hillside are most pleasing to the eye.
As also is the meeting with van Gogh when his paintings with mad whirls of colour are brought to life and form part of the landscape.
Some dreams can be very frustrating when we are caught in a dangerous situation from which there is no ready means of escape. This is dramatically illustrated in the Mt. Fuji episode in which nuclear plants explode and a fog of coloured radio-active gases envelopes the characters.
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There is a strong message here about saving the environment. This message is also accented in the ogre scene and the peach tree scene and the water mill scene. Some viewers might find the going slow at times.
For example, the mountain climbers struggling in knee-deep snow seem to move at the rate of a few steps each minute and being encouraged by their leader to keep going as they strive to reach their camp. A mystical event occurs and in the morning when the heavy fog clears, a surprise awaits them. This feeling of striving and getting nowhere is common in dreams, at least in mine.Konna Yume wo mita - Akira Kurosawa's Dreams
There is also mysticism involved in the tunnel scene where an ex-soldier meets the remainder of his platoon all of whom were killed in battle. The sound of their marching feet echoing through the empty tunnel is quite chilling. Apart from a few dramatic moments the film is somewhat subdued. Behind them is the sea. The older man Hisashi Igawawho appeared in a number of Kurosawa's later movieswho is dressed in a business suit, explains to the younger man that the rest have drowned themselves in the ocean. He then says that the several colours of the clouds billowing across the now rubbish-strewn, post-apocalyptic landscape signify different radioactive isotopes; according to him, red signifies plutoniuma tenth of a microgram of which is enough to cause cancer.
He elaborates on how other released isotopes cause leukemia strontium and birth defects cesium free download sunshine through the rain by akira kurosawa biography wondering at the foolish futility of colour-coding radioactive gases of such lethality. The woman, hearing these descriptions, recoils in horror before angrily cursing those responsible and the pre-disaster assurances of safety they had given. The suited man then displays contrition, suggesting that he is in part responsible for the disaster. The other man, dressed casually, watches the multicoloured radioactive clouds advance upon them.
When he turns back towards the others at the shore, he sees the woman weeping: A cloud of red dust reaches them, causing the mother to shrink back in terror. The remaining man attempts to shield the mother and her children by using his jacket to feebly fan away the now-incessant radioactive billows. A man finds himself wandering around a misty, bleak mountainous terrain. He meets a strange oni -like man, who is actually a mutated human with one horn.
The "demon" explains that there had been a nuclear holocaust which resulted in the loss of nature and animals, enormous dandelions and humans sprouting horns, which cause them so much agony that you can hear them howling during the night, but, according to the demon, they can't die, which makes their agony even worse.
Many of the "demons" were former millionaires and government officials, who are now in Buddhist style suffering through a hell befitting for their sins. At the last scene, the "demon" warns a man to go away, asks if he also wants to become demon. A horrified man then run away from the scene. A young man finds himself entering a peaceful, stream-laden village. The traveler meets an old, wise man who is fixing a broken watermill wheel. The elder explains that the people of his village decided long ago to forsake the polluting influence of modern technology and return to a happier, cleaner era of society.
They have chosen spiritual health over convenience, and the traveler is surprised but intrigued by this notion. At the end of the sequence and the filma funeral procession for an old woman takes place in the village, which instead of mourning, the people celebrate joyfully as the proper end to a good life. This segment was filmed at the Daio Wasabi biography in the Nagano Prefecture.
One aspect of the village in this sequence is a large stone which local children place flowers over; the old man reveals this to be the grave of a traveler who died long ago, and it has become a tradition to lay flowers over it as you pass. Kurosawa was the rain likely inspired by a similar stone from his father's home village:. Near the main thoroughfare of the village stood a huge rock, and there were always cut flowers on top of it.
All the children who passed by it picked wild flowers and laid them atop the stone. When I wondered why they did this and asked, the children said they didn't know. I found out later by asking one of the old men in the village.
In the Battle of Boshin, a hundred years ago, someone died at that spot. Feeling sorry for him, the villagers buried him, put the free download sunshine through over the grave and laid flowers on it. The flowers became a custom of the village, which the children maintained without ever knowing why. The magical and mysterious are mixed with the practical, funny and polemical. Now he wants to tell what he does. There are no wild juxtapositions of the creatures of his sleeping world with the images of his waking world.
They are, after all, products of the same sensibility. The rhythms of his editing and his staging are serene - hypnotically so.